While moving forward on a new body of work in 2023 for Lightspace Modulator — my continuing intermedia art endeavor — I’ve also been taking some time for a look back at the history of the project and a review of some of the conceptual underpinnings of the process.
Music and sound design, words and narrative, a growing set of visual assets, and ultimately a live performance: these are the components of the “postmodern rock opera” The Continual Return of Dr. Ordinaire.
With the release of the new album by the legendary German rhythmic noise act Synapscape (Ant-Zen) comes the official video for “Dirty Deal”: This piece — built around aggressive, dynamic 3D typography — was composed of footage generated entirely (and live, in real time) by the VSx visual synthesizer, making use of the UDP connection […]
Continue Reading →“Way back in 2014 Los Angeles’ LabXIV released a really pleasant 12″ of lush but minimal and understated electronics. The strength of the material was in the melancholy melodies and the way each song made the most of the small handful of synth and drum parts, splitting the difference deftly between synthpop, minimal and some […]
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Over the last few months we’ve been working on building out our new studio: a hybrid playground where we can work with old-school synthesizers, effects, and mixers as well as all the latest digital tools. It’s been a pretty epic project, so far.
My friend Pete reviews The Big Bitcoin Book by @dotkrueger and @bensig — this was an honest first impression: Pete had no idea what i was going to show him.
Rick Feds x Lightspace Modulator — Los Angeles Spring 2024 via @YouTube
It's coming: The Continual Return of Dr. Ordinaire — a “postmodern rock opera” http://peterjohnson.net/the-continual-return/
After six years, the D&D campaign comes to a conclusion ...
The Helix, Booz Allen’s Center for Innovation
I think you know what this means #nammshow @ Los Angeles, California
I am regularly reminded that this was once Quentin Tarantino's office @ West Hollywood, California
